Southern California native Amanda Keller Konya is dedicated to the investigation of the photographic medium, ideas about photography and the photographer him/herself. In addition to a constant and critical evaluation of photography and its continuing state of flux, she takes on the sociopolitical within her work, addressing issues such as toxicity, school closures, land use and public/private space.
The image “Art Objects” is from the larger body of work entitled Commute, wherein the landscape is explored via the automobile. The physical presence of both car and camera offers one a false sense of security. Windshield becomes viewfinder, allowing for contemplation during work commutes, mundane errand runs and the occasional road trip. The view reveals the seamless blending of the constructed landscape and the ease at which terrain is manipulated to accommodate, direct and survey the driver.
— Amanda Keller Konya