The bings are an enormous set of spoil-heaps comprised from the tailings of the once globally important shale-oil industry which was centred in West Lothian. Since workings ended in the early 1960’s, the bings have gradually been re-appropriated as an unlikely leisure ground, site of nationally significant biodiversity and a monumental symbol of West Lothian identity.
The unintentionally beautiful, sculpted slopes of the bings are slowly being reclaimed by birch woodland and grassy meadows; in places, almost completely obscuring the industrial origins of the land they lie upon.
The bings are also at the core of the vibrant, central-belt motocross scene. The faces of the tips are relentlessly altered by their tracks with each passing weekend.
The bings are not without their issues and they fall foul of the usual problems associated with derelict land, with fly tipping and anti-social behaviour being the key problems.
Although I describe my project as a study of the bings, it’s perhaps more appropriate to describe the photographs as a record of my experience of them. I eschew the absolute objectivity often associated with contemporary landscape photography in favour of making lyrical images and by doing so aim to challenge ideas about how we perceive use of post-industrial landscapes in Scotland.
— Jack Luke, Edinburgh, Scotland, United Kingdom