For the past 20 years, the vantage point of my work has always begun with a deep emotional need to be linked with nature and the question of how this is presented within today’s media.
In the series Real Landscapes (2004 – 2013) I explore the boundaries between simulation and reality. The world is reproduced as a sort of model kit. Large impact scenes are presented on a very small scale. Images and replicas vacillate between the idyllic and the catastrophic. Using simple means, I create novel worlds of imagery that exist exclusively through photography, by photography, as a photograph.
The ideas for my pictures are driven by impulses from the worlds of art and media, and I complement these with images of personal significance. I stage commonplace miniature toy models into real landscapes: on North Sea beaches, in coal dumps, and on garbage heaps.
— Thomas Wrede, Münster, Germany
translation by Stephanie Klco Brosius