Dave Hebb


I’ve lived on and off in the Catskill Mountains for 25 years, and have been a homeowner several times over. However, the more experience I gain with land ownership, the less I understand it. I’ve witnessed my own relationship to the land shift from romantic reverence to selfish coveting to indifferent utility and have also observed the same complex contradictory feelings in my friends, family and neighbors.

By documenting the evolving landscape scenes from my everyday life, I am trying to reconcile my relationship to the land as I struggle to maintain a home and ecologically conscious lifestyle within a rural setting. The scenes I photograph are hidden in plain sight, often transient and easily dismissed, and yet in many ways they are the most concrete evidence of how changing behavior and attitudes, both individual and collective, can transform the landscape and shape our consciousness.

— Dave Hebb, Bearsville, New York

Dave Reichert

© Dave Reichert


There’s a time at the outset of some days, when for a few moments I exist in that narrow zone between dream and waking reality. During that gradual rise to consciousness, the dream reality becomes dim and recedes into the distance, and I often struggle to imprint the disappearing image of it on my memory.

I’m very interested in these half-remembered scenes: landscapes that exist in waking reality and later in dreams, filtered by my unconscious in service of some narrative that my brain has created to maintain itself; but these images can’t be captured by any conventional photographic media. Once appropriated for dreams, they exist only as memories or suggestions of the physical world. They fade quickly.

There are occasions though, while out looking for pictures, when a scene will present itself to me with elements that are evocative of a future dreamscape. In Dreams is an open-ended collection of images where I’ve been guided by that suggestion.

— Dave Reichert, Pecos, New Mexico, USA

© Dave Reichert

Dave Hebb


The natural environment, our industrial and technological infrastructure, and my place within them, are the focus of my work as a visual artist.

Timescapes, my most recent body of work, uses photography and video to document the transformation of various landscapes over long spans of time.

Questions about the long-term global impact that industrialized civilization has on the environment are framed within the context of my own rural surroundings in the Catskill Mountains of New York.

This relationship with nature is investigated by examining long term natural effects on industrial artifacts within the landscape, such as a discarded computer monitor or sewer drainage pipe.

I invite the viewer to contemplate their own relationship with nature as a formal meditation while also implying complicity in its destruction and ultimate responsibility for conserving natural resources and preserving what’s left of our natural environment.

— Dave Hebb