Adrift is a series of photographs representing the insecurity felt by many, due to the state of contemporary society.
The disparity occurring between the magnitude of the landscape and stature of the lone subject suggests feelings of precariousness and isolation, while simultaneously invoking the sublime. Although the scenes may initially demonstrate a level of quietude, a sense of vulnerability emanates from the distinct dissimilarity. The presence of the sea and the positioning of the solitary character in relation to its enormity, references the figurative notion of being on edge. The subjects’ adoption of a stationary state, where their next move is unclear, refers to the effect that one’s circumstances can have over their demeanor. Their gazes into the distance hint toward looking elsewhere for comfort and release as well as to the desire of being removed from their current situations; sentiments increasingly prevalent for modern-day society.
The series references the work of the nineteenth century Romantic landscape painter, Caspar David Friedrich, whose themes of isolation and solitude convey a retreat from modern life in order to pursue an alternative deepened spirituality.
— Sarah Orr, Dublin, Ireland