Book Review: My Own Wilderness

My Own Wilderness, edited by Christopher H. Paquette

Christopher Paquette quickly establishes the range of My Own Wilderness, in which he curates the work of 44 photographers. He opens the book with a picture of a scrubby desert landscape — a literal wilderness. Then he moves to an image of a factory interior in Russia, where lockers are painted with a wilderness scene of a man fishing. Paquette then presents a Photoshopped collage of a young man and old woman in a boat, coasting across a lake. A digital reconstruction of a mountain hillside follows, where the artist makes it appear that two large mirrors are suspended above a meadow. The images gain strength from Paquette’s sequencing, much as a poem gains strength from the combinations of individual words.

Paquette has a very generous conception of wilderness. He includes images that literally represent the wild, along with portraits that hint at an interior wilderness. There were many artists whose work I was not familiar with — some from Russia. A few artists were known to me, as I’ve featured their work here. (And I need to disclose that my own work is also part of the book).

Paquette gathered the images in a contest he held at PHOTO/arts Magazine, which he publishes online. The book is printed by Blurb and is offered for sale without a markup. The reproductions in the copy I bought were printed well, with accurate colors and a rich palette.

— Willson Cummer

Christopher Hubbell

ChristopherHubbell.com

One of the things I find fascinating about photographing in the High Falls historic district of Rochester, NY is the way my vision slips so quickly from the literal to the abstract. I find a never-ending stream of geometric studies within this urban landscape, and use them as an underpinning for the series. Within these abstractions lie other interesting studies in decay, renewal, and the struggle between beauty and harshness within an urban microcosm.

— Christopher Hubbell