Sydney is defined by its suburban sprawl, and the series, Suburbex, captures the essence of exploration beyond the urban centre. I was born and raised in this endless patchwork of of homogenised residences, gritty industrial estates and soulless commercial centres. Growing up in this environment enabled me to appreciate the hidden beauty in what, at a superficial glance, might otherwise appear bleak and monotonous. Suburbex employs bold colours, shapes and contrasts in order to reveal the beauty in the bleak banality of Sydney’s endless suburbs.
— Michael Garbutt, Sydney, Australia
In any given landscape there are moments which tell a story about a place and the people that dwell there. In a metropolis or a ghost town these moments of loneliness and abandonment can be looked over or forgotten. It is in these spaces that there is an opportunity to see and understand the world in a different way. By exploring, collecting and photographing the world as an archaeologist or detective gives intensity to the seemingly banal and ordinary.
By pairing photographs of these deserted and abandoned environments with found personal items it provides fertile ground for narratives to emerge. The items collected are items one might find in a family album or desk drawer and provides a strong connection to the missing figure.
The types of spaces that are captured range greatly from the haunted skeletal frame of a failed dream house to a forgotten city by a manmade sea that has a vibrant past. The ghostly representation of the locations exposes moments of quietness, sadness, and abandonment.
— Julie Gautier-Downes, Spokane, Washington, USA
Growing up in Los Angeles 50 years ago left impressions on me that have lasted a lifetime. My current series of work draws on early experiences and tries to elaborate and refine them in a way that draws on the strengths of photography.
Many years ago I used a large format camera and learned with Ansel at my side (his books) and became very much in tune with the careful, contemplative approach the equipment and medium required. I have to admit I had qualities that resonated with the large format camera and they became more distinctive and refined over time. After 30 years away from the camera I have resumed working with renewed passion.
I hope you get a sense of what excites and is important to me through my work. Generally I seem to be attracted to complex things and the challenge of finding the right degree of order within the frame.
— Steve McCausland, Long Beach, California, USA
The ongoing project, The Region, investigates and documents the development of Northwest Indiana; a conglomerate of cities that form part of the Chicago metropolitan area, the Calumet Region, as it is commonly called — or “the Region” for short — is home to around one million people. But more notably it is a place where nature and humanity take a backseat to manufacturing environment created for our creations.
I choose the night atmosphere with an absence of human life as a means of drawing attention to the infrastructure that characterizes the landscape of the region. Power lines cut through nearly every image, and telephone poles and factory smokestacks outnumber the few scattered trees. The scale has grown beyond that of the domestic as power plants and highway overpasses tower over playgrounds and single-family homes. It is as if the real act of living had become an after-thought to the operations that facilitate our way of life.
With factories situated beside marinas and baseball fields, the implements of industry seem to be out of place, and in some of the photos, one gets the sense we are seeking to protect ourselves from our own creations: fences and barriers punctuate most of these settings and an eerie, perpetual light bathes everything, leaving no dark corners.
— James Rotz, Ypsilanti, Michigan, USA