I work in poetry and photography, the two being close in principles, but ultimately living on two separate tracks. My influences, in both cases, come from post-war modernism: Russian metarealism and the Language poetry on the textual side, and Düsseldorf School and New Topographics on the visual side.
What I’m trying to do is a meticulous study of structure that results in an ultimately lyrical outcome. The methodology of it is very impersonal and restrained, never directly human, so the composition is focused primarily on form, and the sentimentality comes from honoring it as such. In equal measure, it is a way of pointing and a way of worship.
So I picture small things, small movements, small differences in shades, suggesting that it’s the particular something, like the curve of a path, or the brownness of dirt, or the shape of an oak, that affirms the sensibility of life to begin with.
— Gleb Simonov, New York City (from Moscow)