Christine Riedell

What were originally designed by Andre Le Notre in the 17th century as entertainment gardens for the kings’ court have become, in many instances, the terrain vague, or disregarded landscape.  The countryside where the gardens were built has become the city and the suburbs of Paris, France, turning the bucolic into urban landscapes. With a short ride from the city, one can enter a world of solitude, beauty and peace.  In my photography I have concentrated my focus on the periphery of the gardens, where time and space are given to contemplation and reflection.

These images are from my forthcoming photobook Going Out, which will be available on my website this fall.

— Christine Riedell, Richmond, California

Christine Rogers

© Christine Rogers

For my Fulbright project, Photographing Imagined Landscapes: The Switzerland of India, I am visiting the northern hill stations of India from Darjeeling to Dalhousie and others in between, all of which lay claim to the landscape of “the Switzerland of India.” I am fascinated by what has happened in this particular region; through tourism, marketing and, in particular, Bollywood filmmaking, another landscape (the Swiss Alps) has been imagined throughout the northern Indian landscape, and in its place an imitation of an imitation has been constructed. I am photographing the cultural confluence of this region at the daybreak of the Indian middle class tourist industry.

— Christine Rogers, Northern India

© Christine Rogers

Christine Carr

In the song (Nothing But) Flowers, David Byrne sings about the end of the world as he knows it: nature has taken over and there are no more cars, highways or fast-food restaurants. I was working a few blocks from the White House during the attacks on 9/11, and as I walked home I witnessed smoke rising from the Pentagon. Since then, catastrophes such as Katrina, economic collapse, torture, war, the Haiti earthquake, the Japanese tsunami and news of widespread rape have left me in a state of perpetual anxiety.

In this ongoing body of work entitled Nothing But I am photographing to help process traumatic events that are not only constantly unfolding, but also completely out of my control. These images are a way to deal with feelings of distress, outrage, frustration and helplessness generated by human malevolence and by the tragic consequences of natural disasters.

— Christine Carr, Roanoke, Virginia, USA